In my paintings, the carpet becomes a visual and conceptual framework for exploring the tension between perfection and imperfection. While the traditional pattern suggests order and completeness whit some very small human false. I introduce elements that disrupt this harmony whit big broken forms. 

 Authentic carpets are unique in color and design, often named after their place of origin and produced by generations of artisans. This continuity fascinates me, as does the transformation of these objects from cultural artifacts to symbols of wealth and intellectual prestige in Western interiors. My work reflects on this journey, questioning cultural appropriation and the fragility of meaning when objects migrate across contexts. 

     

Appadurai, Arjun (1986) “Introduction: commodities and the politics of value” The social Life of Things. Commodities in a cultural Perspective. Cambridge: Cambridge University Press. s. 3–63 Baudrillard, Jean (2005) The system of objects. London: Verso Levitt, Peggy & Glick Schiller, Nina (2004) “Conceptualizing Simultaneity: A Transnational Social Field Perspective on Society” International Migration Review 38(3). s. 1002–1039 Miller, Daniel (2001). “Behind Closed Doors” Home Possessions: Material Culture Behind Closed Doors. ed. Daniel Miller. Oxford: Berg Publishers. s. 1–19 Pels, Dick; Hetherington, Kevin and Vandenberghe, Frédéric (2002) “The Status of Object: Performances, mediations and techniques” i Theory, Culture & Society Rampell Linda (2016) “The shopmodern condition” Art and Theory Publishing